Today, was an exciting day at St Helen’s Church as the two ancient bells were finally installed into the bell frames of the belfry. They will soon be set up with ropes and pulleys, so that the sound of bells ringing from the tower will be heard for the first time in half a century.
The priest’s entrance in the chancel has now been hung with a reclaimed lapped oak door, complete with a iron Suffolk latch decorated with a pheasant head.
Our traditional lime plasterers from NEPR have nearly finished the top coat in the nave of the Church; gradually transforming the building’s shell.
To help inform us about how to interpret the inside of St Helen’s, we have looked at other contemporary churches. A couple of weeks ago, Jim and Clara visited a beautiful church in Lincolnshire. St Mary’s has Anglo Saxon origins, including an intriguing cat carving on one of its external window lintels.
Like St Helen’s, St Mary’s was greatly altered in the late Georgian period, and was again changed by the Victorians. The Georgian gallery and box pews (to the rear of the church), as well as the lime-washed walls and exposed roof trusses give a real sense of how St Helen’s should appear once it is completed.